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The Breakout in Freestyle
By BRIAN VANDE KROL
I've
struggled in the past with common wisdom concerning
what should happen when you surface after a turn
or start (the breakout) in freestyle, specifically
the notion that you shouldn’t breathe on
your first stroke. Extending the glide after push-off
has obvious benefits; however, the need for air
competes
with the need for speed and thus I either shorten
my push-off or ignore the maxim and breathe on
the first stroke anyway.
I’ve always felt that I gained more from
lengthening my push-off glide and taking a breath
on the first
stroke than I did from abbreviating it just so
that I could take that first stroke without breathing.
The breath will come at nearly the same spot either
way.
If I time the breakout properly, I maintain my
speed from the push-off when I start stroking.
If I start
stroking too soon, I slow down. Too late, and I
have to expend more energy to overcome inertia
and accelerate
to my swimming speed. With these competing interests
in mind, I believe that the optimal solution is
to take a breath on the first stroke, but to not
allow
that to affect my forward speed; I want it to fit
into my stroke just as seamlessly as any other
breath. The following points have helped me improve
my breakouts
while breathing:
Know Thyself With experience and attention, I'm
developing a better feel for how long (in time)
I can hold my
push-off before I need air. That time is affected
by how fresh I am, how far I've gone, how far I
have to go, and how relaxed I am.
- If
I've been training hard (in cycling or running)
or swimming long or fast recently, I'll probably
need air sooner.
- Toward the end of a long-ish repeat or swim
(200 yards or longer), I'll need air sooner.
Earlier
in the swim, I can hold my push-off longer.
- In the final lap or two of a swim, I can hold
my push-off longer, because I can tolerate
the lack of oxygen, knowing that I'll get all I need shortly
when I finish.
Relaxing
allows me to glide longer without breathing.
I used to practice a "tight" streamline,
squeezing my body into a torpedo shape.
If I relax, I can glide longer
because I
don't need air so soon. Relaxing into
the torpedo shape sacrifices little
speed compared to the “breath
abbreviated” glide
I get when I’m tense in streamline.
All those factors combine to determine
how long
I can go
before I need to breathe. With experience
and attention, I can better estimate
how long to
go underwater.

Improve My Aim I can
push off the wall and arrive immediately
at the
surface,
or I can go straight
to the bottom, depending on which direction
I aim. My goal is to aim my body so
I arrive at
the surface
at the precise moment that I need air,
and/or when my swimming speed matches
my glide speed.
Breakout in "Dynamic" Skate The
common wisdom about not breathing at
breakout is designed
to prevent loss of speed as a swimmer
sacrifices streamline to get air. If
you don't expect
to get air, you might be more likely
to breakout in balance,
and your first stroke will propel you,
rather than lift your head to breathe.
To get a breath without giving up forward
speed, try these focal points:
1. Spear your opposite arm to its X-Y
coordinate (established in skate) as
you take your breathing
stroke. Watch other swimmers break
out - you'll often see that the lead
hand scoops upward,
causing the
head to lift and hurting streamline.
Instead, allow the combination of momentum
and the air
in your
lungs to surface your body, while you
use the extending arm to pierce the
water ahead of
your streamlining
body.
2. Point your laser beam forward. Again,
watch other swimmers breakout. You'll
often see the
top of the
head lift as they breathe. This puts
swimmers in an uphill position, slowing
them down. Instead,
imagine a laser beam coming out of
the top of the
head. As
you stroke and break out, keep that
beam pointing to the far end.
These two focal points help me establish
a balanced skate position and maintain
my speed
as I break
out and start stroking. I call it a
dynamic skate position
because I keep the pulling arm moving,
going straight into recovery and another
stroke.
SEE the breakout -- and
every other part of an
easy and efficient freestyle
here.
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