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I
just read three books in a row. One involved a
boy wizard with a scar on his forehead. The other
two were about men taking a new approach to their
sports using ideas that were not new, but which
had languished because they challenged the conventional
wisdom. In both cases, their teams showed significant
success due to the contributions of athletes who
were not obviously gifted.
Moneyball, the bestseller by
Michael Lewis, concerns the application of the
Bill James' sabermetrics to the big-money team
sport of baseball. Briefly, "working with
either the lowest or next to lowest payroll in
the game, the Oakland A's had won more regular
season games than any other team, except the Atlanta
Braves. They'd been to the playoffs three years
in a row and in the previous two had taken the
richest team in baseball, the Yankees, to within
a few outs of elimination."
The Yanks out-spend the A's three-to-one; they
can afford to pay top dollar to get the best free
agents available. The A's use James's ideas to
find less expensive and overlooked players that
have succeeded in ways that many scouts overlook.
Unfortunately, the featured players from the 2002
draft (where A's GM Billy Beane, a failed "can't
miss" prospect himself, completely embraces
James' ideas) have yet to mature and are not yet
in a position to really *prove* the premise. It
is possible that the A's have chosen a course
that will always bring them a sound team but will
never provide the players for a great team. I
don't know squat about baseball, but given that
they cannot match the Yankees payroll, the A's
are definitely doing something right.
Long Strokes in a Short Season,
by Art Aungst, concerns the application of ideas,
originally inspired by Bill Boomer, about technique
and streamlining to the no-money sport of girls'
swimming at a public high school.
For twelve weeks each winter, Coach Aungst coaches
a mix of gifted swimmers, less-gifted swimmers
and athletes who are simply swimming during the
offseason between their primary sports. There
is no recruiting, so he doesn't face teams with
enormously greater or lesser talent, but he does
face teams whose coaches still adhere to 'more
is better' training philosophies (How do we do
it? Volume!).
Already one of the better teams in the league,
Aungst's team improved markedly in the six seasons
following his addition of Total Immersion-inspired
training to his regimen. His greatest competition
seems to come from two teams in his region whose
coaches have followed his lead in using TI-style
technique with their teams.
Orchard Park has great depth because even their
seasonal swimmers, who might be kayakers or lacrosse
players for the rest of the year, do learn to
swim fast. Orchard Park does particularly well
in the relays at the NY State Championships, finishing
first or second at all eighteen relays over those
six years with significant contributions from
those seasonal athletes.
Like others at TI these days, Aungst is clearly
fascinated with Eastern philosophy. There are
quotes from the 'I Ching', 'Zen and the Art of
Motorcycle Maintenance' and a description of Japanese
rock gardening from the novel 'Shibumi'. But he
doesn't wallow in profundity; he can also be very
funny, whether at his own expense or quoting Homer
Simpson.
Coach Aungst was kind enough to answer a few of
my questions:
Q - How does your Win-Loss record compare before
and after 1997?
A – “I don't mention this much, but
in the last five years we lost one meet, and that
was by a combined total of .14 seconds in three
races. We have always been very successful and
have only lost five divisional meets in the last
20 years, but ... I think the only valid comparison
of program is us to us."
Q - What else might explain the better results
since 1997? A particularly gifted swimmer?
Better funding, better facilities, sunspots, or
anything else that you changed? A decline at other
schools?
A - "I really have examined this from every
angle I can, and objectively there is no other
explanation other than the new path we took. I
have always had great kids who worked hard, were
easy to discipline and who came in knowing how
to swim, which makes my job a piece of cake. ...
A prime example is that our medley relay had the
same four girls in it and won the states in '98
and '99. All four graduated and we won again in
'00 and '01, and finished second in ‘02
only because our backstroker slipped off the blocks
at the start. As far as the athletes go, they
are by far the best I have ever coached, but I
attribute that to technique-based programs."
"I used to coach age group club swimming
all year round, and I had lots of kids who identified
themselves as swimmers, and that was their main
focus in life. I think I squandered many opportunities
with these kids in my earlier days. Now, (our)
athletes see something that challenges their athletic
ability, and not just their ability to endure."
"I wrote the book mostly anecdotally because
to me it is much more about mindset, and how the
nuts and bolts come together are going to differ
from one program to another based on all the variables
you mention. To me – and I think for the
kids as well – it has been a much more rewarding
process,. I only included times in the book to
give readers some frame of reference to see that
this approach also produces some very fast swims
as I personally had a great reluctance to move
to a technique based program. It was a hard leap
for an old-school, grind-it-out guy like me."
"The main thing I would like coaches to carry
away is that while the technique-based approach
does make really good athletes very fast, it also
makes terrible swimmers become so much better
even if they will never be fast and it makes kids
so much more involved in the process while giving
so many more positive accomplishments than just
times or championships."
To read the Swimming World review: www.totalimmersion.net/long-strokes-review.html
Donal
Fagan studied architecture at Carnegie Mellon
University and practices his craft in Altoona
PA. Besides his obvious passion for swimming and
writing about swimming, he has great enthusiasm
for community theatre (both acting and set design
- his photo shows him standing in the set he designed
for a production of The Diary of Anne Frank in
1999) and cycling. You can view Donal's webpage
at www.donalfagan.com.
All
materials included in this website are Copyright © 2007 by Total Immersion, Inc. All rights
reserved. No portion of this website may be reproduced
or transmitted in any form without permission
in writing from Total Immersion, Inc. For information,
contact: Total Immersion, Inc., 246 Main Street, Suite 15A, New Paltz, NY 12561 Or e-mail
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